Your help is needed to restore the famous Fenway Studios windows and to preserve
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PHP Error Handler
| Error Type | Warning |
|---|---|
| Error Message | extract() [function.extract]: First argument should be an array |
| File | /home/fenway/public_html/portfolio.php |
| Line | 37 |
| Date/Time | 9-9-2010 00:05:30 |
print_my: debug backtrace
Array
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[function] => error_handler
[args] => Array
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[1] => extract() [function.extract]: First argument should be an array
[2] => /home/fenway/public_html/portfolio.php
[3] => 37
[4] => Array
(
[GLOBALS] => Array
*RECURSION*
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[_REQUEST] => Array
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[artists_array] => Array
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[0] => Array
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[first_name] => Ernest
[last_name] => Andrades
[open_studios] => 1
[description] => Abstract painter
[folder] => artists_pix/ernest_andrades
[email] => 1
[website] => http://www.AndradesArt.com
[phone] => 617-266-0910
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[0] => Ford Fellowship, (2 grants)
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[1] => private studies
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[bio] =>
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[first_name] => Robert
[last_name] => Baart
[open_studios] => 1
[email] => 1
[website] => http://www.mvdragonfly.com
[phone] => 617-247-4051
[description] => Abstract landscape painter
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[0] =>
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[0] =>
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[0] =>
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[thumbnail] => artists_pix/robert_baart/DSCN1306_tn.jpg
[bio] => Robert Baart is a painter whose abstract work is informed by nature and the landscape.
He was on on the painting faculty at the School of the Museum of Fine Arts, Boston, MA for
thirty-five years, retiring in 2009. His work is in the collection of the Rose Art Museum,
Brandeis University, Waltham, MA; the DeCordova Museum and Sculpture Park, Lincoln, MA; and numerous
private and corporate collections in the U.S. and abroad.
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[title] =>
[medium] =>
[height] =>
[width] =>
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[index] => 1
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[email_class] => emailRobertBaart
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[first_name] => Perry
[last_name] => Barton
[open_studios] => 1
[folder] => artists_pix/perry_barton
[email] => 1
[website] =>
[description] => Works on paper, painting and collage
[professional_affiliations] => Array
(
[0] => Boston Visual Arts School's Italian Studio Arts program
[1] => Accademia delle Belle Arte de Lorenzo de Viterbo
[2] => Boston Visual School Board of Directors, 1990-1997
)
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(
[0] => Boston University's Sherman Gallery
[1] => Danforth Museum
[2] => Berkshire Museum
)
[awards] => Array
(
[0] => New England Foundation for the Arts Visual Arts Fellowship in Drawing
[1] => Artists' Foundation Fellowship in Drawing
)
[teachers] => Array
(
[0] => Reed Kay
[1] => David Aronson
[2] => James Weeks
)
[education] => Array
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[0] => BFA in Painting, Boston University
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[bio] =>
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[title] =>
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[index] => 2
[email_class] => emailPerryBarton
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[3] => Array
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[first_name] => Amy
[last_name] => Chuckrow
[open_studios] => 1
[folder] => artists_pix/amy_chuckrow
[email] => 1
[website] =>
[phone] => 617-291-0302
[description] => Impressionist painter
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[0] =>
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[0] =>
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[0] =>
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[thumbnail] => artists_pix/amy_chuckrow/girls_in_water_tn.jpg
[bio] =>
Amy Phillips Chuckrow spends her summers painting landscapes on Nantucket,
where she has fallen in love with the many different light effects found on the Island.
The Brant Point Lighthouse is one of her favorite spots to paint.
“There is so much going on here,” she says, “whether it is the sun burning
through early morning mist, or boats sailing by on a clear and windy afternoon.
Sometimes there are white caps on the water and sometimes the water is still and translucent.
When a plein air painter works outside, it’s impossible not to notice that the visual world
changes constantly. The shadows grow longer or shorter. The goal of a landscape painter is
to capture a particular visual moment by unifying the visual phenomena occurring around her.
By creating a beautiful image, the artist evokes a feeling in the viewer that speaks a
familiar language. In other words, the viewer has been there and seen and felt that very
same thing.”
After graduating from Rhode Island School of Design in 1981, Amy Chuckrow began
studying with Paul Ingbretson in the atelier tradition of the Boston School. She spends
most of her time working at Fenway Studios. Over the years, she has participating in
several group shows, including the Powers Gallery, Acton; Jensen Fine Arts, Chestnut
Hill; Gallery Five Hundred, Weston; The Guild of Boston Artists; and the East End
Gallery, Nantucket.
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[title] =>
[medium] =>
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[width] =>
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[title] =>
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[index] => 3
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[4] => Array
(
[first_name] => Arthur M.
[last_name] => Collette
[folder] => artists_pix/arthurm_collette
[phone] =>
[email] => 0
[website] =>
[description] =>
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(
[0] =>
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[0] =>
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[0] =>
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[0] =>
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[0] =>
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[thumbnail] => artists_pix/arthurm_collette/Photo_Collette_tn.jpg
[bio] => Mr. Collette was born in 1953 in Brockton, Massachusetts. He attended Vesper George School of Art in Boston where he met his mentors, Mr. Robert Cormier and Mr. Robert Douglas Hunter. He graduated from Vesper George School of Art in 1981.
Mr. Collette also received artistic training at several other Boston art schools including Massachusetts College of Art, the Art Institute of Boston and the School at the Museum of Fine Arts.
In addition, Mr. Collette studied privately with Robert Cormier in his studio at Fenway Studios and at the Guild of Boston Artists for 8 years. Through the invitation of Robert Douglas Hunter, Mr. Collette studied with R. H. Ives Gammell at the Fenway Studios until Mr. Gammell's death.
Mr. Collette resides at the Fenway Studios in Boston and has maintained a studio there for the past 28 years. He has worked as an advertising designer and supervisor for the Boston Herald and the Boston Globe for many years. Mr. Collette has recently retired from graphic arts to resume his career in painting full time.
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[index] => 4
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[first_name] => Loretta
[last_name] => Cuda
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[email] => 1
[website] => http://www.artcsonline.com
[phone] => 617-247-2757
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[0] => Cambridge Art Association
[1] => Concord Art Association
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[0] => Clark Gallery
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[awards] => Array
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[0] => Blanche Colman Award
)
[teachers] => Array
(
)
[education] => Array
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[0] => BA, Massachusetts College of Art
)
[thumbnail] => artists_pix/loretta_cuda/IMG_9848_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => IMG_9848
[title] => Name
[medium] => a
[height] => 18
[width] => 25
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[1] => Array
(
[file_name] => IMG_9855
[title] => Name
[medium] => a
[height] => 18
[width] => 25
[home_page] => 1
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[2] => Array
(
[file_name] => IMG_9857
[title] => Name
[medium] => a
[height] => 18
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[index] => 5
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[6] => Array
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[first_name] => Nan Hass
[last_name] => Feldman
[open_studios] => 1
[email] => 1
[website] => http://www.nanhassfeldman.com
[phone] => 508-877-4370
[description] => Interior and landscape painter
[professional_affiliations] => Array
(
[0] => Teacher, Worcester Art Museum, DeCordova Art Museum, Danforth Art Museum
[1] => Member, Concord Art Association, Provincetown Art Association
[2] => Leader, painting workshops in Aix-en-Provence and the Drôme Provençal, France
)
[gallery_affiliations] => Array
(
[0] => Artana Gallery, Brookline, MA
[1] => Cove Gallery, Wellfleet, MA
[2] => Carre D’Artists Gallery, Paris and Aix-en-Provence, France
)
[awards] => Array
(
[0] => Frances A. Kinnicutt Foreign Travel Award (3 grants), Worcester Art Museum
[1] => Massachusetts Arts and Humanities Foundation Commission grant
[2] => Worcester Cultural Commission Grant
)
[teachers] => Array
(
)
[education] => Array
(
[0] => MFA, Vermont College
[1] => MA, Goddard College
[2] => BFA, State University of New York at Buffalo
)
[exhibitions] => Array
(
)
[thumbnail] => artists_pix/nanhass_feldman/Table_for_Two_at_Camino_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
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[file_name] => Table_for_Two_at_Camino
[title] => Table for Two at Camino
[medium] =>
[height] =>
[width] =>
[home_page] => 1
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[1] => Array
(
[file_name] => The_Pheasant_on_the_Table
[title] => The Pheasant on the Table
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => The_Yellow_French_Tablecloth
[title] => The Yellow French Tablecloth
[medium] =>
[height] =>
[width] =>
)
)
[index] => 6
[folder] => artists_pix/nanhass_feldman
[email_class] => emailNanHassFeldman
)
[7] => Array
(
[first_name] => Berio
[last_name] => Gizzi
[folder] => artists_pix/berio_gizzi
[phone] => 617-262-9169
[email] => 1
[website] => http://beriogizzi.com
[description] =>
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(
[0] =>
)
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[0] =>
)
[awards] => Array
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[0] =>
)
[teachers] => Array
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[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/berio_gizzi/doll_tn.jpg
[bio] => Berio Gizzi was born in Abruzzo, Italy in 1932, came to Boston in 1936, where he studied
painting at the School of the Museum of Fine Arts 1959 – 1962. In the summer of 1962, Berio studied
drawing with famed sculptor, George Demetrious, in Gloucester, MA. From 1962 – 1964 Berio attended the
Academy of Fine Arts in Florence Italy, and traveled to various countries to study the Old Masters.
As his paintings reveal, Berio likes to juxtapose a variety of images. For example,
“The Stairway,” includes rendering of a Van Eyke painting, one of his own landscapes,
a photograph of his daughter, and a porcelain doll that can be seen in five other paintings in a series.
The painting was done in oil on masonite.
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[medium] =>
[height] =>
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[title] =>
[medium] =>
[height] =>
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[title] =>
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[height] =>
[width] =>
[home_page] => 1
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[3] => Array
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[file_name] => nike
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 7
[email_class] => emailBerioGizzi
)
[8] => Array
(
[first_name] => Robert
[last_name] => Grady
[email] => 1
[website] =>
[phone] => 617-821-3441
[description] => Painter
[professional_affiliations] => Array
(
)
[gallery_affiliations] => Array
(
)
[awards] => Array
(
)
[teachers] => Array
(
[0] => Gyorgy Kepes
[1] => Robert Douglas Hunter
)
[education] => Array
(
[0] => BA Clark Museum
[1] => School of the Worcester Art Museum
)
[thumbnail] => artists_pix/robert_grady/IMG_9747_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => IMG_9747
[title] => Name
[medium] => a
[height] => 18
[width] => 25
[home_page] => 1
)
[1] => Array
(
[file_name] => IMG_9764
[title] => Name
[medium] => a
[height] => 18
[width] => 25
)
)
[index] => 8
[folder] => artists_pix/robert_grady
[email_class] => emailRobertGrady
)
[9] => Array
(
[first_name] => Mary
[last_name] => Hughes
[folder] => artists_pix/mary_hughes
[description] => Abstract painter
[email] => 1
[website] => http://www.mchughes.net
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] => Fulbright Award
[1] => Vermont Studio School, Artist's grant
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] => MFA Massachusetts College of Art
[1] => BFA Boston University
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/mary_hughes/hughes_mary_1_cascade_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => hughes_mary_1_cascade
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[1] => Array
(
[file_name] => hughes_mary_2_cluster
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => hughes_mary_5_migration
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 9
[email_class] => emailMaryHughes
)
[10] => Array
(
[first_name] => Sid
[last_name] => Hurwitz
[open_studios] => 1
[folder] => artists_pix/sid_hurwitz
[email] => 1
[website] =>
[phone] => 617-859-0344
[description] => Printmaker
[professional_affiliations] => Array
(
[0] => Board member, Boston Printmakers
[1] => National Academy of Design
[2] => Society of American Graphic Artists
[3] => Professor Emeritus, Boston University College of Fine Arts
)
[gallery_affiliations] => Array
(
[0] => Pepper Gallery, Boston
)
[awards] => Array
(
[0] => Fulbright Fellowship, L.C. Tiffany Award
)
[teachers] => Array
(
[0] => Leonard Baskin
[1] => David Aronson
[2] => Reed Kay
)
[education] => Array
(
[0] => MFA Boston University
[1] => BA Brandeis University
)
[exhibitions] => Array
(
[0] =>
)
[collections] => Array
(
[0] => Museum of Modern Art
[1] => Boston Museum of Fine Art
[2] => Victoria and Albert Museum
[3] => Worcester Art Museum
)
[thumbnail] => artists_pix/sid_hurwitz/IMG_9721_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => IMG_9721
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[1] => Array
(
[file_name] => IMG_9729
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 10
[email_class] => emailSidHurwitz
)
[11] => Array
(
[first_name] => Constance
[last_name] => Jacobson
[open_studios] => 1
[email] => 1
[phone] =>
[website] => http://www.constancejacobson.com
[description] => Current Employment
Printmaking Faculty, Art Institute of Boston at Lesley University
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
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[0] =>
[1] =>
[2] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] => Chatham College, BA Art
[1] => Maryland Institute College of Art, MFA
[2] => Cranbrook Academy of Art, MFA candidate
)
[exhibitions] => Array
(
[0] =>
)
[collections] => Array
(
[0] => Museum of Fine Arts, Boston
[1] => New York Public Library
[2] => Philadelphia Museum of Art
[3] => DeCordova Museum
[4] => Boston Public Library
[5] => Fogg Art Museum
[6] => Worcester Art Museum
)
[grants] => Array
(
[0] =>
)
[thumbnail] => artists_pix/constance_jacobson/ConstanceJacobson_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => ConstanceJacobson
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[1] => Array
(
[file_name] => 01Jacobson_Tentacles
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => 03Jacobson_Notochord
[title] =>
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => 04Jacobson_NeuralArchitecture
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 11
[folder] => artists_pix/constance_jacobson
[email_class] => emailConstanceJacobson
)
[12] => Array
(
[first_name] => Ken
[last_name] => Kelleher
[open_studios] => 1
[folder] => artists_pix/ken_kelleher
[email] => 1
[website] =>
[description] => Abstract painter
[statement] => With an emphasis on mark-making, écriture (scriptural gesture), manipulated symbols,
and ancient/contemporary alphanumerics, Mr. Kelleher forms an expressive personal vocabulary. Visual
language and markings in many forms are important design elements that are paraphrased and at times
rendered abstractly or in an expressionistic manner to create a perception that is at once familiar
and yet unknowable.
The work is often structured in a square framework and developed in a serial format; each
component piece, however, exists as an independent work. Modest in scale with a monochromatic
palette, these works forge a subtly compelling and contemporary graphic idiom, exemplifying a
delicate balance of scale, medium, and process that invites scrutiny and contemplation.
There may be a suggestion of ancient writs or tablets whose messages have been obscured
by time, the hint of an esoteric discourse, or an ambiguous, graffiti-like message that can
be understood only by the rare initiated. These enigmatic works challenge the viewer to
decipher the secrets within this artful domain, and encourage a thoughtful engagement and
aesthetic encounter.
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[0] =>
)
[thumbnail] => artists_pix/ken_kelleher/IMG_0004_tn.jpg
[bio] =>
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[0] => Array
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[title] =>
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[height] =>
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)
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[title] =>
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[13] => Array
(
[first_name] => Deborah
[last_name] => Kravitz
[open_studios] => 1
[folder] => artists_pix/deborah_kravitz
[email] =>
[website] =>
[phone] => 617-262-0285
[description] => Figurative painter of the imaginary
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
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(
[0] =>
)
[education] => Array
(
[0] =>
)
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[0] => Portals to the Unconscious, one-person show, Newton Free Library Gallery, 2006
[1] => Fenway Studios Centennial Exhibition Group Show, The St. Botolph Club, 2005
)
[thumbnail] => artists_pix/deborah_kravitz/IMG_9952_tn.jpg
[bio] =>
I was born in New York City in 1951. My family moved to a number of different
locations on the northeast coast. I attended the School of the Museum of Fine Arts and
Tufts University, where I received a Bachelor of Fine Arts degree in 1980. The body
of my student work at the Museum School was created under the aegis of John Burns,
head of the Technical Painting Department. Over the years, I have taken part in
exhibitions both local and out of state.
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[title] =>
[medium] =>
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[file_name] => IMG_9940
[title] =>
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[file_name] => IMG_9942
[title] =>
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[height] =>
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[index] => 13
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[14] => Array
(
[first_name] => David H.
[last_name] => Lowrey
[email] => 1
[phone] => 617-437-1913
[website] => http://www.guildofbostonartists.org/cgi-bin/database.cgi?type=1&name=lowrey
[description] => Realist painter
[professional_affiliations] => Array
(
[0] => Vice President, Guild of Boston Artists
)
[gallery_affiliations] => Array
(
[0] => Guild of Boston Artists
)
[awards] => Array
(
[0] => Grumbacher Award
[1] => Bernard Corey Memorial Award
[2] => Numerous Best in Show Awards
)
[teachers] => Array
(
[0] => R.H. Gammell
)
[education] => Array
(
[0] => Studio of R. H. Ives Gammell
)
[exhibitions] => Array
(
[0] =>
)
[grants] => Array
(
[0] => E.T. Greenshield Memorial Foundation
[1] => Massachusetts Arts and Humanitites Council
[2] => Lowell Arts Council
[3] => B.G. Research
)
[thumbnail] => artists_pix/davidh_lowrey/david_lowrey_tn.jpg
[bio] =>
[statement] =>
“Look Only to the Past and Lose an Eye. Forget the Past and Lose Both Eyes.”
This Old Russian proverb states a truism critical to cultural development. In my own work this proverb reflects the
philosophical basis of my artistic sensibilities. I have spent most of my professional life trying to understand
the “language” of the Masters of Western European painting. I believe that this language should not be forsaken as new and
different languages develop. My goal is not to reproduce the masterpieces of the past, but to capture the contemporary
using this established language.
[misc] => The Camera Obscura's Place in Art History
The camera obscura's employment by artists of the 17th and 18th centuries is still a matter of speculation.
Art historians still hotly dispute which artists used these optical tools.
These questions remain to be answered: When and by whom were they first used? What types of camera
obscuras where utilized? How where they used by the artists of the past?
By making accurate working models of the 17th and 18th centuries camera obscuras that would have been
available to artists of that era, I can, and have, reconstructed how these cameras were used.
However, an accurate picture of their uses can only be gleaned by imposing strict limitation in the
employment of these optical instruments. For example:
- Camera obscuras can only be used in either daylight or firelight and all the tools employed must be w
ithin the established technology of the century to be examined.
- Fenway Studios gives me the ideal working space for this research. My studio is almost identical
to the working spaces of artist from the past.
Please contact me for additional information concerning this significant, historic visual tool.
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[file_name] => apples_and_eve
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[file_name] => a_lions_tale
[title] =>
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[height] =>
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[file_name] => david_lowrey_04
[title] =>
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[height] =>
[width] =>
)
)
[index] => 14
[folder] => artists_pix/davidh_lowrey
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)
[15] => Array
(
[first_name] => Teri
[last_name] => Malo
[open_studios] => 1
[email] => 1
[website] => http://terimalo.wordpress.com
[description] => Landscape-inspired painter
[professional_affiliations] => Array
(
)
[gallery_affiliations] => Array
(
[0] => Arden Gallery
[1] => Powers Gallery
)
[awards] => Array
(
[0] => Blanche E. Coleman Award, 1998
)
[teachers] => Array
(
[0] => Michael Jacques
[1] => Fred Becker
[2] => John Townsend
)
[education] => Array
(
[0] => MFA University of Massachusetts
[1] => BA Emmanuel College
)
[exhibitions] => Array
(
[0] => Solo exhibition: Land, Sea, and In-Between, Artana Gallery, Brookline, 2007
[1] => Danforth Museum, 1998
[2] => Museum of Work and Culture, Wonsocket, RI, 2001
[3] => Artana Gallery, Brookline, 2007
)
[thumbnail] => artists_pix/teri_malo/Poem_from_a_March_Walk_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => Poem_from_a_March_Walk
[title] => Poem From a March Walk
[medium] => Oil
[height] => 30
[width] => 30
[home_page] => 1
)
[1] => Array
(
[file_name] => Quoddy_Remembered
[title] => Quoddy Remembered
[medium] => Oil
[height] => 36
[width] => 48
)
[2] => Array
(
[file_name] => Through_a_Silver_Light
[title] => Through a Silver Light
[medium] => Oil
[height] => 42
[width] => 42
)
)
[index] => 15
[folder] => artists_pix/teri_malo
[email_class] => emailTeriMalo
)
[16] => Array
(
[first_name] => Anne
[last_name] => McGhee
[open_studios] => 1
[description] => Realist, still life, architectural, landscape and marine painter; and teacher
[email] => 1
[phone] => 617-547-8117/617-262-3670
[website] =>
[professional_affiliations] => Array
(
[0] => Teacher, Harvard University Graduate School of Design
[1] => Illustrator, William Morrow Publishing
[2] => Designer, Tiffany & Company
)
[gallery_affiliations] => Array
(
[0] => Craven Gallery, Vineyard Haven
)
[awards] => Array
(
[0] => John Koch Scholarship, Art Students League, NY
[1] => Teacher of the Year, 2000, Harvard Graduate School of Design
)
[teachers] => Array
(
[0] => Robert Brackman
[1] => Edwin Dickinson
[2] => Robert Cormier
[3] => Paul Ingbretson
)
[education] => Array
(
[0] => Accademia di Belle Arti, Florence
[1] => Art Students League
[2] => Kansas City Art Institute
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/anne_mcghee/IMG_0017_tn.jpg
[bio] =>
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(
[0] => Array
(
[file_name] => IMG_0017
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => IMG_0024
[title] =>
[medium] =>
[height] =>
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[home_page] => 1
)
[2] => Array
(
[file_name] => IMG_0029
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 16
[folder] => artists_pix/anne_mcghee
[email_class] => emailAnneMcGhee
)
[17] => Array
(
[first_name] => Julien
[last_name] => Miville
[folder] => artists_pix/julien_miville
[email] => 1
[website] => http://www.mivilleart.com
[description] => Realist, still life and landscape painter
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] => Guild of Boston Artists
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] => Robert Cormier
[1] => David Curtis
)
[education] => Array
(
[0] => Privately taught, atelier
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/julien_miville/Miville_Sweet_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => Miville_Sweet
[title] => Sweet Autumn Clematis
[medium] => Oil on canvas
[height] => 20
[width] => 24
[home_page] => 1
)
[1] => Array
(
[file_name] => Miville_smeadow
[title] => Salt Meadow
[medium] => Oil on canvas
[height] => 11
[width] => 14
)
[2] => Array
(
[file_name] => Miville_skate
[title] => Skating on the Common
[medium] => Oil on canvas
[height] => 26
[width] => 32
)
)
[index] => 17
[email_class] => emailJulienMiville
)
[18] => Array
(
[first_name] => Yoshi
[last_name] => Mizutani
[folder] => artists_pix/yoshi_mizutani
[phone] => 617-678-8766
[email] =>
[website] => http://www.yoshimizutani.com
[description] => Still life, landscape, figure and portrait painter
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
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(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/yoshi_mizutani/P1010123_tn.jpg
[bio] => Yoshi Mizutani was born in Japan to an artistic family. He started to paint
watercolors seriously by the age of ten, and by the age 16 he was trained in basic drawing
techniques and introduced to oil painting. Driven by a strong desire for further training
in the Western realistic tradition, Yoshi left Japan when he was 18 to study the Old
Masters paintings in Italy, Spain and France. Subsequently, he relocated to the United
States and spent seven years completing his studies with portrait painter Robert Cormier
at the R.H. Ives Gammell Atelier. Yoshi then moved back to Spain where he executed many
commissioned portraits while continuing his studies of the Old Masters, Velasquez and
Sorolla in the Museums of Madrid. During this time, his works were exhibited in
Barcelona galleries.
In the spring of 2001, Yoshi returned to Boston, where he now resides. His work
utilizes academic drawing with an impressionistic palate.
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[title] =>
[medium] =>
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[1] => Array
(
[file_name] => P1010193
[title] =>
[medium] =>
[height] =>
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[home_page] => 1
)
[2] => Array
(
[file_name] => P1010190
[title] =>
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => P1010194
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 18
)
[19] => Array
(
[first_name] => Paul T.
[last_name] => Nagano
[open_studios] => 1
[folder] => artists_pix/pault_nagano
[email] => 1
[website] =>
[phone] => 617-266-3509
[description] => Landscape painter and watercolorist
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] => Pennsylvania Academy, Lewis S. Ware Travelling Scholarship, 1967
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] => Pennsylvania Academy of the Fine Arts
[1] => BA Columbia University
)
[exhibitions] => Array
(
[0] =>
)
[commissions] => Array
(
[0] => Campbell Estate, Kapolei, Hawaii, mural
[1] => St. Theresa’s Church, Reading, MA, acrylic on canvas
[2] => Hawaii Preparatory Academy, Manuela, HI, bronze crucifix
)
[thumbnail] => artists_pix/pault_nagano/Priest_at_the_Volcano_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
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[file_name] => Priest_at_the_Volcano
[title] => Priest at the Volcano
[medium] =>
[height] =>
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[home_page] => 1
)
[1] => Array
(
[file_name] => Royal_Palms
[title] => Royal Palms
[medium] =>
[height] =>
[width] =>
)
)
[index] => 19
[email_class] => emailPaulTNagano
)
[20] => Array
(
[first_name] => Jane
[last_name] => O'Hara
[open_studios] => 1
[folder] => artists_pix/jane_ohara
[email] => 1
[phone] => 617-859-4862
[website] => http://janeohara.com
[description] => Contemporary realism painter
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/jane_ohara/bio_bw_tn.jpg
[bio] => Born in Connecticut, Jane now divides her time between Little Compton, RI
and Boston. She received her BFA from Boston University School of Fine Arts
in 1978. In 1986 Jane formed O'Hara Arts, a mural and decorative painting
company.
In recent years Jane's studio work has reflected her passion for animals.
With commissions of animal companions, donation of her artwork to animal groups,
and paintings in shows, she is able to communicate her vision of the animal
condition. Both the insensitivity or conversely, the pampering and
casting of human traits onto animals by so many disturbs and intrigues Jane, and
she comments on those tendencies with humor and irony in her artwork.
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[medium] =>
[height] =>
[width] =>
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[1] => Array
(
[file_name] => IMG_0186_cropped
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => nell_and_company
[title] =>
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => semi_precious
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 20
[email_class] => emailJaneO'Hara
)
[21] => Array
(
[first_name] => Gedas
[last_name] => Paskauskas
[open_studios] => 1
[folder] => artists_pix/gedas_paskauskas
[email] => 1
[website] => http://www.gedaspaskauskas.com
[phone] => 617-233-4307
[description] => Abstract painter
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/gedas_paskauskas/KIF_1457_tn.jpg
[bio] => Gedas Paskauskas, a native of Rhode Island, began his art education in 1970 at the
School of the Worcester Art Museum. After graduation, he continued with private study with
Robert Douglas Hunter in Boston. In 1975, Gedas began a career as a commercial photographer
and later as a mural artist. Co-founding Bopas, Inc., in 1981, a mural and decorative painting
company, he branched out to form Gedas Paskauskas Studios, Inc. in 2005.
His personal work reflects his observation of nature, but transposes light and form to
convey a more personal sentiment, reducing visual information to the elements of pure expression.
Gedas divides his work and time between his studios in Boston and Little Compton, RI.
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(
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(
[file_name] => IMG_1949
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => IMG_1952
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 0
)
[3] => Array
(
[file_name] => IMG_1963
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 0
)
)
[index] => 21
[email_class] => emailGedasPaskauskas
)
[22] => Array
(
[first_name] => Theresa
[last_name] => Pergal
[open_studios] => 1
[folder] => artists_pix/theresa_pergal
[email] => 1
[website] => http://www.theresapergal.com
[phone] => 617-927-7460/978-223-5259
[description] => Realist, still life, landscape and portrait painter
[professional_affiliations] => Array
(
[0] => Academic Artists Association, Rockport Art Association
[1] => North Shore Art Association
)
[gallery_affiliations] => Array
(
[0] => Jensen Fine Art, Brookline
[1] => Osterville Fine Art Gallery
[2] => Churchill Gallery, Newburyport
)
[awards] => Array
(
[0] => Newington Award, Best in Show
[1] => American Artists Profession League, Best in Show
[2] => Featured in American Artist Magazine, A Measured Intuition
)
[teachers] => Array
(
[0] => Robert Cormier
)
[education] => Array
(
[0] => R.H. Ives Gammil Atelier
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/theresa_pergal/Theresa_Pergal_portrait_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => Theresa_Pergal_portrait
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => Golden_Bird
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => Puti_Garden
[title] =>
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => Bouquet_Roses_Fruits
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 22
[email_class] => emailTheresaPergal
)
[23] => Array
(
[first_name] => Melody
[last_name] => Phaneuf
[open_studios] => 1
[folder] => artists_pix/melody_phaneuf
[description] => Still life, landscape and portrait painter
[statement] => Melody Phaneuf is well known for her evocative still life allegories and plein air paintings.
Phaneuf's paintings have been exhibited at Galerie Herouet in Paris, The National Arts Club in New York City,
and were included in a traveling exposition in Japan. She is a regular exhibitor at the Guild of Boston
Artists, 162 Newbury Street, Boston, MA and Northshore Arts, in Gloucester, MA.
[email] => 1
[website] =>
[phone] => 617-236-4322/800-771-6464
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] => Guild of Boston Artists
[1] => Northshore Arts, Gloucester, MA
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] => Robert Cormier
[1] => Robert Douglas Hunter
)
[education] => Array
(
[0] => Vesper George School of Art
[1] => Boston School of Art, Atelier Training
[2] => School of the Museum of Fine Arts, Boston
[3] => Massachusetts College of Art
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/melody_phaneuf/Calling_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => Calling
[title] => Calling
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => Relics_of_the_Sea
[title] => Relics of the Sea
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => Season_of_Light
[title] => Season of Light
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => The_Bridge_Good_Harbor
[title] => The Bridge, Good Harbor
[medium] =>
[height] =>
[width] =>
)
)
[index] => 23
[email_class] => emailMelodyPhaneuf
)
[24] => Array
(
[first_name] => Judy
[last_name] => Ryan
[folder] => artists_pix/judy_ryan
[phone] => 617-859-0282
[email] => 1
[website] =>
[description] => Realist, landscape, still life, figure and portrait
[professional_affiliations] => Array
(
[0] => Teacher, Museum of Fine Arts, Boston
[1] => Leader, painting workshops in Provence, France
[2] => Art conservator, Peter Williams/Museum Services, Boston
)
[gallery_affiliations] => Array
(
[0] => Zullo Gallery, Medfield, MA
)
[awards] => Array
(
[0] => Frances A. Kinnicutt Foreign Travel Award
[1] => Somerville Arts Council Grant
)
[teachers] => Array
(
[0] => David Curtis, Robert Cormier, James Weeks, Morton Saks, Jack Kramer,
David Aronson
)
[education] => Array
(
[0] => MFA in Painting, Boston University
[1] => BFA in Painting, University of Illinois in Champaign-Urbana
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/judy_ryan/judy_ryan_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
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[description] => Drypoint, engraving and etching, printmaking and related digital applications
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[bio] => Since graduating from the Rhode Island School of Design, Oren Sherman has designed and published numerous
award-winning prints, among them Tall Ships, Arnold Arboretum, Brooklyn Bridge Centennial, Kentucky Derby,
and the well-known Boston Series. His commissions include eight United States postage stamps—the
“Special Occasions” series—designs for Steuben Glass, posters for Ringling Brothers Barnum &
Bailey Circus, the Olympics, and Disney Corporation. Most recently, Sherman completed a credit card design for Visa,
and he recently finished illustrating The Random House Book of Greek Mythology. He is a member of the faculty
of the Rhode Island School of Design.
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[description] => Realist, still life, landscape and portrait painter; and teacher
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[description] => Realist painter, figures, flowers, architectural
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[bio] => Glenda Tall studied with Mitchell Siporin and Arthur Polonsky at Brandeis University
where she earned her degree with Distinction in Fine Arts. She became a Copley Master of the
Copley Society of Boston in 1981. She has had solo shows at the American Club, Brussels, Belgium;
La Sala De Arte Rosa Maria, Dominican Republic; Renjeau Gallery; Prestige Gallery; and many group
shows internationally.
Artist statement:
My paintings are realistic interpretations of flowers, pensive figures, and architecture.
The complexity and diversity of flowers fascinate and inspire me to attempt to capture the beauty of
nature. I am also drawn to the textures and layers of color which surface on architecture after years
of exposure. Color thrills me and I hope that my use of it brings pleasure to the viewer.
Oil Painting Classes
Afternoons and evenings, beginning September 14, 2010. Adult, all levels.
Please call 617-262-6295 or email with your questions.
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[description] => Boston School impressionist, realist, still life, landscape and portrait painter
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[0] =>
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[5] => Banks Gallery, Portsmouth, New Hampshire
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[description] => Still life painter, restorer, marine painter
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)
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| Date/Time | 9-9-2010 00:05:54 |
print_my: debug backtrace
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[last_name] => Baart
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[email] => 1
[website] => http://www.mvdragonfly.com
[phone] => 617-247-4051
[description] => Abstract landscape painter
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[bio] => Robert Baart is a painter whose abstract work is informed by nature and the landscape.
He was on on the painting faculty at the School of the Museum of Fine Arts, Boston, MA for
thirty-five years, retiring in 2009. His work is in the collection of the Rose Art Museum,
Brandeis University, Waltham, MA; the DeCordova Museum and Sculpture Park, Lincoln, MA; and numerous
private and corporate collections in the U.S. and abroad.
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[description] => Works on paper, painting and collage
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[1] => Accademia delle Belle Arte de Lorenzo de Viterbo
[2] => Boston Visual School Board of Directors, 1990-1997
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[1] => Danforth Museum
[2] => Berkshire Museum
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[1] => Artists' Foundation Fellowship in Drawing
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[2] => James Weeks
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[description] => Impressionist painter
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[bio] =>
Amy Phillips Chuckrow spends her summers painting landscapes on Nantucket,
where she has fallen in love with the many different light effects found on the Island.
The Brant Point Lighthouse is one of her favorite spots to paint.
“There is so much going on here,” she says, “whether it is the sun burning
through early morning mist, or boats sailing by on a clear and windy afternoon.
Sometimes there are white caps on the water and sometimes the water is still and translucent.
When a plein air painter works outside, it’s impossible not to notice that the visual world
changes constantly. The shadows grow longer or shorter. The goal of a landscape painter is
to capture a particular visual moment by unifying the visual phenomena occurring around her.
By creating a beautiful image, the artist evokes a feeling in the viewer that speaks a
familiar language. In other words, the viewer has been there and seen and felt that very
same thing.”
After graduating from Rhode Island School of Design in 1981, Amy Chuckrow began
studying with Paul Ingbretson in the atelier tradition of the Boston School. She spends
most of her time working at Fenway Studios. Over the years, she has participating in
several group shows, including the Powers Gallery, Acton; Jensen Fine Arts, Chestnut
Hill; Gallery Five Hundred, Weston; The Guild of Boston Artists; and the East End
Gallery, Nantucket.
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[file_name] => IMG_9778
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => nantucket_harbor
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 3
[email_class] => emailAmyChuckrow
)
[4] => Array
(
[first_name] => Arthur M.
[last_name] => Collette
[folder] => artists_pix/arthurm_collette
[phone] =>
[email] => 0
[website] =>
[description] =>
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/arthurm_collette/Photo_Collette_tn.jpg
[bio] => Mr. Collette was born in 1953 in Brockton, Massachusetts. He attended Vesper George School of Art in Boston where he met his mentors, Mr. Robert Cormier and Mr. Robert Douglas Hunter. He graduated from Vesper George School of Art in 1981.
Mr. Collette also received artistic training at several other Boston art schools including Massachusetts College of Art, the Art Institute of Boston and the School at the Museum of Fine Arts.
In addition, Mr. Collette studied privately with Robert Cormier in his studio at Fenway Studios and at the Guild of Boston Artists for 8 years. Through the invitation of Robert Douglas Hunter, Mr. Collette studied with R. H. Ives Gammell at the Fenway Studios until Mr. Gammell's death.
Mr. Collette resides at the Fenway Studios in Boston and has maintained a studio there for the past 28 years. He has worked as an advertising designer and supervisor for the Boston Herald and the Boston Globe for many years. Mr. Collette has recently retired from graphic arts to resume his career in painting full time.
[art] => Array
(
[0] => Array
(
[file_name] => Photo_Collette
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => Beach_Glass
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => violin_final
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[3] => Array
(
[file_name] => Winter_Birch_on_the_Charles
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 4
)
[5] => Array
(
[first_name] => Loretta
[last_name] => Cuda
[open_studios] => 1
[email] => 1
[website] => http://www.artcsonline.com
[phone] => 617-247-2757
[professional_affiliations] => Array
(
[0] => Cambridge Art Association
[1] => Concord Art Association
)
[gallery_affiliations] => Array
(
[0] => Clark Gallery
)
[awards] => Array
(
[0] => Blanche Colman Award
)
[teachers] => Array
(
)
[education] => Array
(
[0] => BA, Massachusetts College of Art
)
[thumbnail] => artists_pix/loretta_cuda/IMG_9848_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => IMG_9848
[title] => Name
[medium] => a
[height] => 18
[width] => 25
)
[1] => Array
(
[file_name] => IMG_9855
[title] => Name
[medium] => a
[height] => 18
[width] => 25
[home_page] => 1
)
[2] => Array
(
[file_name] => IMG_9857
[title] => Name
[medium] => a
[height] => 18
[width] => 25
)
)
[index] => 5
[folder] => artists_pix/loretta_cuda
[email_class] => emailLorettaCuda
)
[6] => Array
(
[first_name] => Nan Hass
[last_name] => Feldman
[open_studios] => 1
[email] => 1
[website] => http://www.nanhassfeldman.com
[phone] => 508-877-4370
[description] => Interior and landscape painter
[professional_affiliations] => Array
(
[0] => Teacher, Worcester Art Museum, DeCordova Art Museum, Danforth Art Museum
[1] => Member, Concord Art Association, Provincetown Art Association
[2] => Leader, painting workshops in Aix-en-Provence and the Drôme Provençal, France
)
[gallery_affiliations] => Array
(
[0] => Artana Gallery, Brookline, MA
[1] => Cove Gallery, Wellfleet, MA
[2] => Carre D’Artists Gallery, Paris and Aix-en-Provence, France
)
[awards] => Array
(
[0] => Frances A. Kinnicutt Foreign Travel Award (3 grants), Worcester Art Museum
[1] => Massachusetts Arts and Humanities Foundation Commission grant
[2] => Worcester Cultural Commission Grant
)
[teachers] => Array
(
)
[education] => Array
(
[0] => MFA, Vermont College
[1] => MA, Goddard College
[2] => BFA, State University of New York at Buffalo
)
[exhibitions] => Array
(
)
[thumbnail] => artists_pix/nanhass_feldman/Table_for_Two_at_Camino_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => Table_for_Two_at_Camino
[title] => Table for Two at Camino
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[1] => Array
(
[file_name] => The_Pheasant_on_the_Table
[title] => The Pheasant on the Table
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => The_Yellow_French_Tablecloth
[title] => The Yellow French Tablecloth
[medium] =>
[height] =>
[width] =>
)
)
[index] => 6
[folder] => artists_pix/nanhass_feldman
[email_class] => emailNanHassFeldman
)
[7] => Array
(
[first_name] => Berio
[last_name] => Gizzi
[folder] => artists_pix/berio_gizzi
[phone] => 617-262-9169
[email] => 1
[website] => http://beriogizzi.com
[description] =>
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/berio_gizzi/doll_tn.jpg
[bio] => Berio Gizzi was born in Abruzzo, Italy in 1932, came to Boston in 1936, where he studied
painting at the School of the Museum of Fine Arts 1959 – 1962. In the summer of 1962, Berio studied
drawing with famed sculptor, George Demetrious, in Gloucester, MA. From 1962 – 1964 Berio attended the
Academy of Fine Arts in Florence Italy, and traveled to various countries to study the Old Masters.
As his paintings reveal, Berio likes to juxtapose a variety of images. For example,
“The Stairway,” includes rendering of a Van Eyke painting, one of his own landscapes,
a photograph of his daughter, and a porcelain doll that can be seen in five other paintings in a series.
The painting was done in oil on masonite.
[art] => Array
(
[0] => Array
(
[file_name] => doll
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => bread
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => mm
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[3] => Array
(
[file_name] => nike
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 7
[email_class] => emailBerioGizzi
)
[8] => Array
(
[first_name] => Robert
[last_name] => Grady
[email] => 1
[website] =>
[phone] => 617-821-3441
[description] => Painter
[professional_affiliations] => Array
(
)
[gallery_affiliations] => Array
(
)
[awards] => Array
(
)
[teachers] => Array
(
[0] => Gyorgy Kepes
[1] => Robert Douglas Hunter
)
[education] => Array
(
[0] => BA Clark Museum
[1] => School of the Worcester Art Museum
)
[thumbnail] => artists_pix/robert_grady/IMG_9747_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => IMG_9747
[title] => Name
[medium] => a
[height] => 18
[width] => 25
[home_page] => 1
)
[1] => Array
(
[file_name] => IMG_9764
[title] => Name
[medium] => a
[height] => 18
[width] => 25
)
)
[index] => 8
[folder] => artists_pix/robert_grady
[email_class] => emailRobertGrady
)
[9] => Array
(
[first_name] => Mary
[last_name] => Hughes
[folder] => artists_pix/mary_hughes
[description] => Abstract painter
[email] => 1
[website] => http://www.mchughes.net
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] => Fulbright Award
[1] => Vermont Studio School, Artist's grant
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] => MFA Massachusetts College of Art
[1] => BFA Boston University
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/mary_hughes/hughes_mary_1_cascade_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => hughes_mary_1_cascade
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[1] => Array
(
[file_name] => hughes_mary_2_cluster
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => hughes_mary_5_migration
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 9
[email_class] => emailMaryHughes
)
[10] => Array
(
[first_name] => Sid
[last_name] => Hurwitz
[open_studios] => 1
[folder] => artists_pix/sid_hurwitz
[email] => 1
[website] =>
[phone] => 617-859-0344
[description] => Printmaker
[professional_affiliations] => Array
(
[0] => Board member, Boston Printmakers
[1] => National Academy of Design
[2] => Society of American Graphic Artists
[3] => Professor Emeritus, Boston University College of Fine Arts
)
[gallery_affiliations] => Array
(
[0] => Pepper Gallery, Boston
)
[awards] => Array
(
[0] => Fulbright Fellowship, L.C. Tiffany Award
)
[teachers] => Array
(
[0] => Leonard Baskin
[1] => David Aronson
[2] => Reed Kay
)
[education] => Array
(
[0] => MFA Boston University
[1] => BA Brandeis University
)
[exhibitions] => Array
(
[0] =>
)
[collections] => Array
(
[0] => Museum of Modern Art
[1] => Boston Museum of Fine Art
[2] => Victoria and Albert Museum
[3] => Worcester Art Museum
)
[thumbnail] => artists_pix/sid_hurwitz/IMG_9721_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => IMG_9721
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[1] => Array
(
[file_name] => IMG_9729
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 10
[email_class] => emailSidHurwitz
)
[11] => Array
(
[first_name] => Constance
[last_name] => Jacobson
[open_studios] => 1
[email] => 1
[phone] =>
[website] => http://www.constancejacobson.com
[description] => Current Employment
Printmaking Faculty, Art Institute of Boston at Lesley University
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
[1] =>
[2] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] => Chatham College, BA Art
[1] => Maryland Institute College of Art, MFA
[2] => Cranbrook Academy of Art, MFA candidate
)
[exhibitions] => Array
(
[0] =>
)
[collections] => Array
(
[0] => Museum of Fine Arts, Boston
[1] => New York Public Library
[2] => Philadelphia Museum of Art
[3] => DeCordova Museum
[4] => Boston Public Library
[5] => Fogg Art Museum
[6] => Worcester Art Museum
)
[grants] => Array
(
[0] =>
)
[thumbnail] => artists_pix/constance_jacobson/ConstanceJacobson_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => ConstanceJacobson
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[1] => Array
(
[file_name] => 01Jacobson_Tentacles
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => 03Jacobson_Notochord
[title] =>
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => 04Jacobson_NeuralArchitecture
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 11
[folder] => artists_pix/constance_jacobson
[email_class] => emailConstanceJacobson
)
[12] => Array
(
[first_name] => Ken
[last_name] => Kelleher
[open_studios] => 1
[folder] => artists_pix/ken_kelleher
[email] => 1
[website] =>
[description] => Abstract painter
[statement] => With an emphasis on mark-making, écriture (scriptural gesture), manipulated symbols,
and ancient/contemporary alphanumerics, Mr. Kelleher forms an expressive personal vocabulary. Visual
language and markings in many forms are important design elements that are paraphrased and at times
rendered abstractly or in an expressionistic manner to create a perception that is at once familiar
and yet unknowable.
The work is often structured in a square framework and developed in a serial format; each
component piece, however, exists as an independent work. Modest in scale with a monochromatic
palette, these works forge a subtly compelling and contemporary graphic idiom, exemplifying a
delicate balance of scale, medium, and process that invites scrutiny and contemplation.
There may be a suggestion of ancient writs or tablets whose messages have been obscured
by time, the hint of an esoteric discourse, or an ambiguous, graffiti-like message that can
be understood only by the rare initiated. These enigmatic works challenge the viewer to
decipher the secrets within this artful domain, and encourage a thoughtful engagement and
aesthetic encounter.
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/ken_kelleher/IMG_0004_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => IMG_0004
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => IMG_9990
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
)
[index] => 12
[email_class] => emailKenKelleher
)
[13] => Array
(
[first_name] => Deborah
[last_name] => Kravitz
[open_studios] => 1
[folder] => artists_pix/deborah_kravitz
[email] =>
[website] =>
[phone] => 617-262-0285
[description] => Figurative painter of the imaginary
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] => Portals to the Unconscious, one-person show, Newton Free Library Gallery, 2006
[1] => Fenway Studios Centennial Exhibition Group Show, The St. Botolph Club, 2005
)
[thumbnail] => artists_pix/deborah_kravitz/IMG_9952_tn.jpg
[bio] =>
I was born in New York City in 1951. My family moved to a number of different
locations on the northeast coast. I attended the School of the Museum of Fine Arts and
Tufts University, where I received a Bachelor of Fine Arts degree in 1980. The body
of my student work at the Museum School was created under the aegis of John Burns,
head of the Technical Painting Department. Over the years, I have taken part in
exhibitions both local and out of state.
[art] => Array
(
[0] => Array
(
[file_name] => IMG_9952
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => IMG_9937
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => IMG_9940
[title] =>
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => IMG_9942
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 13
)
[14] => Array
(
[first_name] => David H.
[last_name] => Lowrey
[email] => 1
[phone] => 617-437-1913
[website] => http://www.guildofbostonartists.org/cgi-bin/database.cgi?type=1&name=lowrey
[description] => Realist painter
[professional_affiliations] => Array
(
[0] => Vice President, Guild of Boston Artists
)
[gallery_affiliations] => Array
(
[0] => Guild of Boston Artists
)
[awards] => Array
(
[0] => Grumbacher Award
[1] => Bernard Corey Memorial Award
[2] => Numerous Best in Show Awards
)
[teachers] => Array
(
[0] => R.H. Gammell
)
[education] => Array
(
[0] => Studio of R. H. Ives Gammell
)
[exhibitions] => Array
(
[0] =>
)
[grants] => Array
(
[0] => E.T. Greenshield Memorial Foundation
[1] => Massachusetts Arts and Humanitites Council
[2] => Lowell Arts Council
[3] => B.G. Research
)
[thumbnail] => artists_pix/davidh_lowrey/david_lowrey_tn.jpg
[bio] =>
[statement] =>
“Look Only to the Past and Lose an Eye. Forget the Past and Lose Both Eyes.”
This Old Russian proverb states a truism critical to cultural development. In my own work this proverb reflects the
philosophical basis of my artistic sensibilities. I have spent most of my professional life trying to understand
the “language” of the Masters of Western European painting. I believe that this language should not be forsaken as new and
different languages develop. My goal is not to reproduce the masterpieces of the past, but to capture the contemporary
using this established language.
[misc] => The Camera Obscura's Place in Art History
The camera obscura's employment by artists of the 17th and 18th centuries is still a matter of speculation.
Art historians still hotly dispute which artists used these optical tools.
These questions remain to be answered: When and by whom were they first used? What types of camera
obscuras where utilized? How where they used by the artists of the past?
By making accurate working models of the 17th and 18th centuries camera obscuras that would have been
available to artists of that era, I can, and have, reconstructed how these cameras were used.
However, an accurate picture of their uses can only be gleaned by imposing strict limitation in the
employment of these optical instruments. For example:
- Camera obscuras can only be used in either daylight or firelight and all the tools employed must be w
ithin the established technology of the century to be examined.
- Fenway Studios gives me the ideal working space for this research. My studio is almost identical
to the working spaces of artist from the past.
Please contact me for additional information concerning this significant, historic visual tool.
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(
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(
[file_name] => david_lowrey
[title] =>
[medium] =>
[height] =>
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)
[1] => Array
(
[file_name] => apples_and_eve
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => a_lions_tale
[title] =>
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => david_lowrey_04
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 14
[folder] => artists_pix/davidh_lowrey
[email_class] => emailDavidHLowrey
)
[15] => Array
(
[first_name] => Teri
[last_name] => Malo
[open_studios] => 1
[email] => 1
[website] => http://terimalo.wordpress.com
[description] => Landscape-inspired painter
[professional_affiliations] => Array
(
)
[gallery_affiliations] => Array
(
[0] => Arden Gallery
[1] => Powers Gallery
)
[awards] => Array
(
[0] => Blanche E. Coleman Award, 1998
)
[teachers] => Array
(
[0] => Michael Jacques
[1] => Fred Becker
[2] => John Townsend
)
[education] => Array
(
[0] => MFA University of Massachusetts
[1] => BA Emmanuel College
)
[exhibitions] => Array
(
[0] => Solo exhibition: Land, Sea, and In-Between, Artana Gallery, Brookline, 2007
[1] => Danforth Museum, 1998
[2] => Museum of Work and Culture, Wonsocket, RI, 2001
[3] => Artana Gallery, Brookline, 2007
)
[thumbnail] => artists_pix/teri_malo/Poem_from_a_March_Walk_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => Poem_from_a_March_Walk
[title] => Poem From a March Walk
[medium] => Oil
[height] => 30
[width] => 30
[home_page] => 1
)
[1] => Array
(
[file_name] => Quoddy_Remembered
[title] => Quoddy Remembered
[medium] => Oil
[height] => 36
[width] => 48
)
[2] => Array
(
[file_name] => Through_a_Silver_Light
[title] => Through a Silver Light
[medium] => Oil
[height] => 42
[width] => 42
)
)
[index] => 15
[folder] => artists_pix/teri_malo
[email_class] => emailTeriMalo
)
[16] => Array
(
[first_name] => Anne
[last_name] => McGhee
[open_studios] => 1
[description] => Realist, still life, architectural, landscape and marine painter; and teacher
[email] => 1
[phone] => 617-547-8117/617-262-3670
[website] =>
[professional_affiliations] => Array
(
[0] => Teacher, Harvard University Graduate School of Design
[1] => Illustrator, William Morrow Publishing
[2] => Designer, Tiffany & Company
)
[gallery_affiliations] => Array
(
[0] => Craven Gallery, Vineyard Haven
)
[awards] => Array
(
[0] => John Koch Scholarship, Art Students League, NY
[1] => Teacher of the Year, 2000, Harvard Graduate School of Design
)
[teachers] => Array
(
[0] => Robert Brackman
[1] => Edwin Dickinson
[2] => Robert Cormier
[3] => Paul Ingbretson
)
[education] => Array
(
[0] => Accademia di Belle Arti, Florence
[1] => Art Students League
[2] => Kansas City Art Institute
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/anne_mcghee/IMG_0017_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => IMG_0017
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => IMG_0024
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => IMG_0029
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 16
[folder] => artists_pix/anne_mcghee
[email_class] => emailAnneMcGhee
)
[17] => Array
(
[first_name] => Julien
[last_name] => Miville
[folder] => artists_pix/julien_miville
[email] => 1
[website] => http://www.mivilleart.com
[description] => Realist, still life and landscape painter
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] => Guild of Boston Artists
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] => Robert Cormier
[1] => David Curtis
)
[education] => Array
(
[0] => Privately taught, atelier
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/julien_miville/Miville_Sweet_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => Miville_Sweet
[title] => Sweet Autumn Clematis
[medium] => Oil on canvas
[height] => 20
[width] => 24
[home_page] => 1
)
[1] => Array
(
[file_name] => Miville_smeadow
[title] => Salt Meadow
[medium] => Oil on canvas
[height] => 11
[width] => 14
)
[2] => Array
(
[file_name] => Miville_skate
[title] => Skating on the Common
[medium] => Oil on canvas
[height] => 26
[width] => 32
)
)
[index] => 17
[email_class] => emailJulienMiville
)
[18] => Array
(
[first_name] => Yoshi
[last_name] => Mizutani
[folder] => artists_pix/yoshi_mizutani
[phone] => 617-678-8766
[email] =>
[website] => http://www.yoshimizutani.com
[description] => Still life, landscape, figure and portrait painter
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/yoshi_mizutani/P1010123_tn.jpg
[bio] => Yoshi Mizutani was born in Japan to an artistic family. He started to paint
watercolors seriously by the age of ten, and by the age 16 he was trained in basic drawing
techniques and introduced to oil painting. Driven by a strong desire for further training
in the Western realistic tradition, Yoshi left Japan when he was 18 to study the Old
Masters paintings in Italy, Spain and France. Subsequently, he relocated to the United
States and spent seven years completing his studies with portrait painter Robert Cormier
at the R.H. Ives Gammell Atelier. Yoshi then moved back to Spain where he executed many
commissioned portraits while continuing his studies of the Old Masters, Velasquez and
Sorolla in the Museums of Madrid. During this time, his works were exhibited in
Barcelona galleries.
In the spring of 2001, Yoshi returned to Boston, where he now resides. His work
utilizes academic drawing with an impressionistic palate.
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(
[0] => Array
(
[file_name] => P1010123
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => P1010193
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => P1010190
[title] =>
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => P1010194
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 18
)
[19] => Array
(
[first_name] => Paul T.
[last_name] => Nagano
[open_studios] => 1
[folder] => artists_pix/pault_nagano
[email] => 1
[website] =>
[phone] => 617-266-3509
[description] => Landscape painter and watercolorist
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] => Pennsylvania Academy, Lewis S. Ware Travelling Scholarship, 1967
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] => Pennsylvania Academy of the Fine Arts
[1] => BA Columbia University
)
[exhibitions] => Array
(
[0] =>
)
[commissions] => Array
(
[0] => Campbell Estate, Kapolei, Hawaii, mural
[1] => St. Theresa’s Church, Reading, MA, acrylic on canvas
[2] => Hawaii Preparatory Academy, Manuela, HI, bronze crucifix
)
[thumbnail] => artists_pix/pault_nagano/Priest_at_the_Volcano_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => Priest_at_the_Volcano
[title] => Priest at the Volcano
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[1] => Array
(
[file_name] => Royal_Palms
[title] => Royal Palms
[medium] =>
[height] =>
[width] =>
)
)
[index] => 19
[email_class] => emailPaulTNagano
)
[20] => Array
(
[first_name] => Jane
[last_name] => O'Hara
[open_studios] => 1
[folder] => artists_pix/jane_ohara
[email] => 1
[phone] => 617-859-4862
[website] => http://janeohara.com
[description] => Contemporary realism painter
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/jane_ohara/bio_bw_tn.jpg
[bio] => Born in Connecticut, Jane now divides her time between Little Compton, RI
and Boston. She received her BFA from Boston University School of Fine Arts
in 1978. In 1986 Jane formed O'Hara Arts, a mural and decorative painting
company.
In recent years Jane's studio work has reflected her passion for animals.
With commissions of animal companions, donation of her artwork to animal groups,
and paintings in shows, she is able to communicate her vision of the animal
condition. Both the insensitivity or conversely, the pampering and
casting of human traits onto animals by so many disturbs and intrigues Jane, and
she comments on those tendencies with humor and irony in her artwork.
[art] => Array
(
[0] => Array
(
[file_name] => bio_bw
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => IMG_0186_cropped
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => nell_and_company
[title] =>
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => semi_precious
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 20
[email_class] => emailJaneO'Hara
)
[21] => Array
(
[first_name] => Gedas
[last_name] => Paskauskas
[open_studios] => 1
[folder] => artists_pix/gedas_paskauskas
[email] => 1
[website] => http://www.gedaspaskauskas.com
[phone] => 617-233-4307
[description] => Abstract painter
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/gedas_paskauskas/KIF_1457_tn.jpg
[bio] => Gedas Paskauskas, a native of Rhode Island, began his art education in 1970 at the
School of the Worcester Art Museum. After graduation, he continued with private study with
Robert Douglas Hunter in Boston. In 1975, Gedas began a career as a commercial photographer
and later as a mural artist. Co-founding Bopas, Inc., in 1981, a mural and decorative painting
company, he branched out to form Gedas Paskauskas Studios, Inc. in 2005.
His personal work reflects his observation of nature, but transposes light and form to
convey a more personal sentiment, reducing visual information to the elements of pure expression.
Gedas divides his work and time between his studios in Boston and Little Compton, RI.
[art] => Array
(
[0] => Array
(
[file_name] => KIF_1457
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 0
)
[1] => Array
(
[file_name] => IMG_1949
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => IMG_1952
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 0
)
[3] => Array
(
[file_name] => IMG_1963
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 0
)
)
[index] => 21
[email_class] => emailGedasPaskauskas
)
[22] => Array
(
[first_name] => Theresa
[last_name] => Pergal
[open_studios] => 1
[folder] => artists_pix/theresa_pergal
[email] => 1
[website] => http://www.theresapergal.com
[phone] => 617-927-7460/978-223-5259
[description] => Realist, still life, landscape and portrait painter
[professional_affiliations] => Array
(
[0] => Academic Artists Association, Rockport Art Association
[1] => North Shore Art Association
)
[gallery_affiliations] => Array
(
[0] => Jensen Fine Art, Brookline
[1] => Osterville Fine Art Gallery
[2] => Churchill Gallery, Newburyport
)
[awards] => Array
(
[0] => Newington Award, Best in Show
[1] => American Artists Profession League, Best in Show
[2] => Featured in American Artist Magazine, A Measured Intuition
)
[teachers] => Array
(
[0] => Robert Cormier
)
[education] => Array
(
[0] => R.H. Ives Gammil Atelier
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/theresa_pergal/Theresa_Pergal_portrait_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => Theresa_Pergal_portrait
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => Golden_Bird
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => Puti_Garden
[title] =>
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => Bouquet_Roses_Fruits
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 22
[email_class] => emailTheresaPergal
)
[23] => Array
(
[first_name] => Melody
[last_name] => Phaneuf
[open_studios] => 1
[folder] => artists_pix/melody_phaneuf
[description] => Still life, landscape and portrait painter
[statement] => Melody Phaneuf is well known for her evocative still life allegories and plein air paintings.
Phaneuf's paintings have been exhibited at Galerie Herouet in Paris, The National Arts Club in New York City,
and were included in a traveling exposition in Japan. She is a regular exhibitor at the Guild of Boston
Artists, 162 Newbury Street, Boston, MA and Northshore Arts, in Gloucester, MA.
[email] => 1
[website] =>
[phone] => 617-236-4322/800-771-6464
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] => Guild of Boston Artists
[1] => Northshore Arts, Gloucester, MA
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] => Robert Cormier
[1] => Robert Douglas Hunter
)
[education] => Array
(
[0] => Vesper George School of Art
[1] => Boston School of Art, Atelier Training
[2] => School of the Museum of Fine Arts, Boston
[3] => Massachusetts College of Art
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/melody_phaneuf/Calling_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => Calling
[title] => Calling
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => Relics_of_the_Sea
[title] => Relics of the Sea
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => Season_of_Light
[title] => Season of Light
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => The_Bridge_Good_Harbor
[title] => The Bridge, Good Harbor
[medium] =>
[height] =>
[width] =>
)
)
[index] => 23
[email_class] => emailMelodyPhaneuf
)
[24] => Array
(
[first_name] => Judy
[last_name] => Ryan
[folder] => artists_pix/judy_ryan
[phone] => 617-859-0282
[email] => 1
[website] =>
[description] => Realist, landscape, still life, figure and portrait
[professional_affiliations] => Array
(
[0] => Teacher, Museum of Fine Arts, Boston
[1] => Leader, painting workshops in Provence, France
[2] => Art conservator, Peter Williams/Museum Services, Boston
)
[gallery_affiliations] => Array
(
[0] => Zullo Gallery, Medfield, MA
)
[awards] => Array
(
[0] => Frances A. Kinnicutt Foreign Travel Award
[1] => Somerville Arts Council Grant
)
[teachers] => Array
(
[0] => David Curtis, Robert Cormier, James Weeks, Morton Saks, Jack Kramer,
David Aronson
)
[education] => Array
(
[0] => MFA in Painting, Boston University
[1] => BFA in Painting, University of Illinois in Champaign-Urbana
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/judy_ryan/judy_ryan_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => judy_ryan
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => crows_meadow_beach
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => essex_green
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[3] => Array
(
[file_name] => stage_port_park
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 24
[email_class] => emailJudyRyan
)
[25] => Array
(
[first_name] => Peter
[last_name] => Scott
[open_studios] => 1
[email] => 1
[website] =>
[phone] => 617-236-8196
[description] => Drypoint, engraving and etching, printmaking and related digital applications
[professional_affiliations] => Array
(
[0] => Faculty, School of the Museum of Fine Arts, print and paper media
[1] => Boston Printmakers, Southern Graphic Council National Conference
)
[gallery_affiliations] => Array
(
[0] => Gallery NAGA
)
[awards] => Array
(
[0] => Massachusetts Artist Fellowship
[1] => Guest artist and lecturer, Durban Institute of Technology, South Africa
)
[teachers] => Array
(
)
[education] => Array
(
[0] => MFA Cranbrook Academy of Art
[1] => BFA Carnegie-Mellon University
[2] => BA Haverford College
)
[exhibitions] => Array
(
)
[thumbnail] => artists_pix/peter_scott/sketchbook_at_maries_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => sketchbook_at_maries
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[1] => Array
(
[file_name] => sketchbook_bible
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => sketchbook_fenway
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 25
[folder] => artists_pix/peter_scott
[email_class] => emailPeterScott
)
[26] => Array
(
[first_name] => Oren
[last_name] => Sherman
[folder] => artists_pix/oren_sherman
[email] => 1
[website] => http://www.orensherman.com/
[phone] => 508-487-2172
[description] =>
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] =>
)
[commissions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/oren_sherman/dance_lrg_tn.jpg
[bio] => Since graduating from the Rhode Island School of Design, Oren Sherman has designed and published numerous
award-winning prints, among them Tall Ships, Arnold Arboretum, Brooklyn Bridge Centennial, Kentucky Derby,
and the well-known Boston Series. His commissions include eight United States postage stamps—the
“Special Occasions” series—designs for Steuben Glass, posters for Ringling Brothers Barnum &
Bailey Circus, the Olympics, and Disney Corporation. Most recently, Sherman completed a credit card design for Visa,
and he recently finished illustrating The Random House Book of Greek Mythology. He is a member of the faculty
of the Rhode Island School of Design.
[art] => Array
(
[0] => Array
(
[file_name] => dance_lrg
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[1] => Array
(
[file_name] => SELook2
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => ShoreRd2
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 26
[email_class] => emailOrenSherman
)
[27] => Array
(
[first_name] => Ed
[last_name] => Stitt
[description] => Realist, still life, landscape and portrait painter; and teacher
[folder] => artists_pix/ed_stitt
[email] => 1
[website] =>
[phone] => 617-312-2165
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] => Gallery NAGA
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] => Joe O’Sickey
[1] => Paul Ingbretson
[2] => Paul Rahilly
[3] => George Nick
)
[education] => Array
(
[0] => MFA Massachusetts College of Art
[1] => BFA Kent State University, magna cum laude
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/ed_stitt/007_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => 007
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => IMG_9808
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => IMG_9813
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 27
[email_class] => emailEdStitt
)
[28] => Array
(
[first_name] => Glenda
[last_name] => Tall
[folder] => artists_pix/glenda_tall
[phone] => 617-262-6295/617-821-0921
[email] => glendatall@aol.com
[website] =>
[description] => Realist painter, figures, flowers, architectural
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/glenda_tall/waiting_tn.jpg
[bio] => Glenda Tall studied with Mitchell Siporin and Arthur Polonsky at Brandeis University
where she earned her degree with Distinction in Fine Arts. She became a Copley Master of the
Copley Society of Boston in 1981. She has had solo shows at the American Club, Brussels, Belgium;
La Sala De Arte Rosa Maria, Dominican Republic; Renjeau Gallery; Prestige Gallery; and many group
shows internationally.
Artist statement:
My paintings are realistic interpretations of flowers, pensive figures, and architecture.
The complexity and diversity of flowers fascinate and inspire me to attempt to capture the beauty of
nature. I am also drawn to the textures and layers of color which surface on architecture after years
of exposure. Color thrills me and I hope that my use of it brings pleasure to the viewer.
Oil Painting Classes
Afternoons and evenings, beginning September 14, 2010. Adult, all levels.
Please call 617-262-6295 or email with your questions.
[art] => Array
(
[0] => Array
(
[file_name] => waiting
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => arched_door
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => cuba_series_3
[title] =>
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => lotus
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
)
[index] => 28
[email_class] => emailGlendaTall
)
[29] => Array
(
[first_name] => Fedrick
[last_name] => Tatsushi
[folder] => artists_pix/fedrick_tatsushi
[email] => 1
[website] =>
[phone] => 617-267-5693
[description] => Still life and landscape painter
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] => Philip Guston
[1] => David Aronson
[2] => James Weeks
)
[education] => Array
(
[0] => MFA Boston University
[1] => BFA Boston University
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/fedrick_tatsushi/Self_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => Self
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => P_Still_life
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => Still_3
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
)
[index] => 29
[email_class] => emailFedrickTatsushi
)
[30] => Array
(
[first_name] => Dido
[last_name] => Thayer
[open_studios] => 1
[folder] => artists_pix/dido_thayer
[email] => 1
[website] =>
[phone] => 617-388-1103
[description] => Abstract and landscape painter, and printmaker
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] => Soprafina Gallery
)
[awards] => Array
(
[0] => Lawrence Kupferman Memorial Award
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] => BFA Massachusetts College of Art
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/dido_thayer/0012r_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => 0012r
[title] => Lay of the Land
[medium] => Oil/venetian plaster on panel
[height] =>
[width] =>
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[medium] => Oil/venetian plaster on panel
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[title] => Distant Fire
[medium] => Oil/venetian plaster on panel
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[last_name] => Vokey
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[email] => 1
[website] =>
[phone] => 617-247-1802/617-285-8313
[description] => Boston School impressionist, realist, still life, landscape and portrait painter
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[0] =>
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[1] => Copley Society of Boston
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[3] => Quidley and Company, Nantucket
[4] => Powers Gallery, Acton
[5] => Banks Gallery, Portsmouth, New Hampshire
)
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[1] => Copley Master Award, Copley Master, The Copley Society of Boston
[2] => Cover artist, American Artist Magazine, April 2005 issue
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[title] =>
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[height] =>
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[last_name] => Williams
[open_studios] => 1
[folder] => artists_pix/peter_williams
[email] => 1
[website] => http://www.peterwilliams.org
[phone] => 617-536-4092
[description] => Still life painter, restorer, marine painter
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[0] =>
)
[professional_activities] => Array
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[1] => Featured in New Yorker Magazine and National Public Radio
[2] => Manages an on-line art gallery which features living and 19th century artists working in the Boston School tradition
)
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[1] => Hamilton College
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End PHP Error Handler
PHP Error Handler
| Error Type | Notice |
|---|---|
| Error Message | Undefined variable: last_name |
| File | /home/fenway/public_html/portfolio.php |
| Line | 39 |
| Date/Time | 9-9-2010 00:06:01 |
print_my: debug backtrace
Array
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[description] => Abstract painter
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[phone] => 617-266-0910
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[last_name] => Baart
[open_studios] => 1
[email] => 1
[website] => http://www.mvdragonfly.com
[phone] => 617-247-4051
[description] => Abstract landscape painter
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[bio] => Robert Baart is a painter whose abstract work is informed by nature and the landscape.
He was on on the painting faculty at the School of the Museum of Fine Arts, Boston, MA for
thirty-five years, retiring in 2009. His work is in the collection of the Rose Art Museum,
Brandeis University, Waltham, MA; the DeCordova Museum and Sculpture Park, Lincoln, MA; and numerous
private and corporate collections in the U.S. and abroad.
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[last_name] => Barton
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[email] => 1
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[description] => Works on paper, painting and collage
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[1] => Accademia delle Belle Arte de Lorenzo de Viterbo
[2] => Boston Visual School Board of Directors, 1990-1997
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[1] => Danforth Museum
[2] => Berkshire Museum
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[1] => Artists' Foundation Fellowship in Drawing
)
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[1] => David Aronson
[2] => James Weeks
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[last_name] => Chuckrow
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[email] => 1
[website] =>
[phone] => 617-291-0302
[description] => Impressionist painter
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[bio] =>
Amy Phillips Chuckrow spends her summers painting landscapes on Nantucket,
where she has fallen in love with the many different light effects found on the Island.
The Brant Point Lighthouse is one of her favorite spots to paint.
“There is so much going on here,” she says, “whether it is the sun burning
through early morning mist, or boats sailing by on a clear and windy afternoon.
Sometimes there are white caps on the water and sometimes the water is still and translucent.
When a plein air painter works outside, it’s impossible not to notice that the visual world
changes constantly. The shadows grow longer or shorter. The goal of a landscape painter is
to capture a particular visual moment by unifying the visual phenomena occurring around her.
By creating a beautiful image, the artist evokes a feeling in the viewer that speaks a
familiar language. In other words, the viewer has been there and seen and felt that very
same thing.”
After graduating from Rhode Island School of Design in 1981, Amy Chuckrow began
studying with Paul Ingbretson in the atelier tradition of the Boston School. She spends
most of her time working at Fenway Studios. Over the years, she has participating in
several group shows, including the Powers Gallery, Acton; Jensen Fine Arts, Chestnut
Hill; Gallery Five Hundred, Weston; The Guild of Boston Artists; and the East End
Gallery, Nantucket.
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[phone] =>
[email] => 0
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[bio] => Mr. Collette was born in 1953 in Brockton, Massachusetts. He attended Vesper George School of Art in Boston where he met his mentors, Mr. Robert Cormier and Mr. Robert Douglas Hunter. He graduated from Vesper George School of Art in 1981.
Mr. Collette also received artistic training at several other Boston art schools including Massachusetts College of Art, the Art Institute of Boston and the School at the Museum of Fine Arts.
In addition, Mr. Collette studied privately with Robert Cormier in his studio at Fenway Studios and at the Guild of Boston Artists for 8 years. Through the invitation of Robert Douglas Hunter, Mr. Collette studied with R. H. Ives Gammell at the Fenway Studios until Mr. Gammell's death.
Mr. Collette resides at the Fenway Studios in Boston and has maintained a studio there for the past 28 years. He has worked as an advertising designer and supervisor for the Boston Herald and the Boston Globe for many years. Mr. Collette has recently retired from graphic arts to resume his career in painting full time.
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[email] => 1
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[description] => Interior and landscape painter
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)
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(
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[1] => Cove Gallery, Wellfleet, MA
[2] => Carre D’Artists Gallery, Paris and Aix-en-Provence, France
)
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[1] => Massachusetts Arts and Humanities Foundation Commission grant
[2] => Worcester Cultural Commission Grant
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[1] => MA, Goddard College
[2] => BFA, State University of New York at Buffalo
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[last_name] => Gizzi
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[email] => 1
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[thumbnail] => artists_pix/berio_gizzi/doll_tn.jpg
[bio] => Berio Gizzi was born in Abruzzo, Italy in 1932, came to Boston in 1936, where he studied
painting at the School of the Museum of Fine Arts 1959 – 1962. In the summer of 1962, Berio studied
drawing with famed sculptor, George Demetrious, in Gloucester, MA. From 1962 – 1964 Berio attended the
Academy of Fine Arts in Florence Italy, and traveled to various countries to study the Old Masters.
As his paintings reveal, Berio likes to juxtapose a variety of images. For example,
“The Stairway,” includes rendering of a Van Eyke painting, one of his own landscapes,
a photograph of his daughter, and a porcelain doll that can be seen in five other paintings in a series.
The painting was done in oil on masonite.
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[title] =>
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[height] =>
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(
[first_name] => Robert
[last_name] => Grady
[email] => 1
[website] =>
[phone] => 617-821-3441
[description] => Painter
[professional_affiliations] => Array
(
)
[gallery_affiliations] => Array
(
)
[awards] => Array
(
)
[teachers] => Array
(
[0] => Gyorgy Kepes
[1] => Robert Douglas Hunter
)
[education] => Array
(
[0] => BA Clark Museum
[1] => School of the Worcester Art Museum
)
[thumbnail] => artists_pix/robert_grady/IMG_9747_tn.jpg
[bio] =>
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(
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[title] => Name
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[description] => Abstract painter
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[1] => BFA Boston University
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[email_class] => emailMaryHughes
)
[10] => Array
(
[first_name] => Sid
[last_name] => Hurwitz
[open_studios] => 1
[folder] => artists_pix/sid_hurwitz
[email] => 1
[website] =>
[phone] => 617-859-0344
[description] => Printmaker
[professional_affiliations] => Array
(
[0] => Board member, Boston Printmakers
[1] => National Academy of Design
[2] => Society of American Graphic Artists
[3] => Professor Emeritus, Boston University College of Fine Arts
)
[gallery_affiliations] => Array
(
[0] => Pepper Gallery, Boston
)
[awards] => Array
(
[0] => Fulbright Fellowship, L.C. Tiffany Award
)
[teachers] => Array
(
[0] => Leonard Baskin
[1] => David Aronson
[2] => Reed Kay
)
[education] => Array
(
[0] => MFA Boston University
[1] => BA Brandeis University
)
[exhibitions] => Array
(
[0] =>
)
[collections] => Array
(
[0] => Museum of Modern Art
[1] => Boston Museum of Fine Art
[2] => Victoria and Albert Museum
[3] => Worcester Art Museum
)
[thumbnail] => artists_pix/sid_hurwitz/IMG_9721_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => IMG_9721
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[1] => Array
(
[file_name] => IMG_9729
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 10
[email_class] => emailSidHurwitz
)
[11] => Array
(
[first_name] => Constance
[last_name] => Jacobson
[open_studios] => 1
[email] => 1
[phone] =>
[website] => http://www.constancejacobson.com
[description] => Current Employment
Printmaking Faculty, Art Institute of Boston at Lesley University
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
[1] =>
[2] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] => Chatham College, BA Art
[1] => Maryland Institute College of Art, MFA
[2] => Cranbrook Academy of Art, MFA candidate
)
[exhibitions] => Array
(
[0] =>
)
[collections] => Array
(
[0] => Museum of Fine Arts, Boston
[1] => New York Public Library
[2] => Philadelphia Museum of Art
[3] => DeCordova Museum
[4] => Boston Public Library
[5] => Fogg Art Museum
[6] => Worcester Art Museum
)
[grants] => Array
(
[0] =>
)
[thumbnail] => artists_pix/constance_jacobson/ConstanceJacobson_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => ConstanceJacobson
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[1] => Array
(
[file_name] => 01Jacobson_Tentacles
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => 03Jacobson_Notochord
[title] =>
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => 04Jacobson_NeuralArchitecture
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 11
[folder] => artists_pix/constance_jacobson
[email_class] => emailConstanceJacobson
)
[12] => Array
(
[first_name] => Ken
[last_name] => Kelleher
[open_studios] => 1
[folder] => artists_pix/ken_kelleher
[email] => 1
[website] =>
[description] => Abstract painter
[statement] => With an emphasis on mark-making, écriture (scriptural gesture), manipulated symbols,
and ancient/contemporary alphanumerics, Mr. Kelleher forms an expressive personal vocabulary. Visual
language and markings in many forms are important design elements that are paraphrased and at times
rendered abstractly or in an expressionistic manner to create a perception that is at once familiar
and yet unknowable.
The work is often structured in a square framework and developed in a serial format; each
component piece, however, exists as an independent work. Modest in scale with a monochromatic
palette, these works forge a subtly compelling and contemporary graphic idiom, exemplifying a
delicate balance of scale, medium, and process that invites scrutiny and contemplation.
There may be a suggestion of ancient writs or tablets whose messages have been obscured
by time, the hint of an esoteric discourse, or an ambiguous, graffiti-like message that can
be understood only by the rare initiated. These enigmatic works challenge the viewer to
decipher the secrets within this artful domain, and encourage a thoughtful engagement and
aesthetic encounter.
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/ken_kelleher/IMG_0004_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => IMG_0004
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => IMG_9990
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
)
[index] => 12
[email_class] => emailKenKelleher
)
[13] => Array
(
[first_name] => Deborah
[last_name] => Kravitz
[open_studios] => 1
[folder] => artists_pix/deborah_kravitz
[email] =>
[website] =>
[phone] => 617-262-0285
[description] => Figurative painter of the imaginary
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] => Portals to the Unconscious, one-person show, Newton Free Library Gallery, 2006
[1] => Fenway Studios Centennial Exhibition Group Show, The St. Botolph Club, 2005
)
[thumbnail] => artists_pix/deborah_kravitz/IMG_9952_tn.jpg
[bio] =>
I was born in New York City in 1951. My family moved to a number of different
locations on the northeast coast. I attended the School of the Museum of Fine Arts and
Tufts University, where I received a Bachelor of Fine Arts degree in 1980. The body
of my student work at the Museum School was created under the aegis of John Burns,
head of the Technical Painting Department. Over the years, I have taken part in
exhibitions both local and out of state.
[art] => Array
(
[0] => Array
(
[file_name] => IMG_9952
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => IMG_9937
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => IMG_9940
[title] =>
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => IMG_9942
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 13
)
[14] => Array
(
[first_name] => David H.
[last_name] => Lowrey
[email] => 1
[phone] => 617-437-1913
[website] => http://www.guildofbostonartists.org/cgi-bin/database.cgi?type=1&name=lowrey
[description] => Realist painter
[professional_affiliations] => Array
(
[0] => Vice President, Guild of Boston Artists
)
[gallery_affiliations] => Array
(
[0] => Guild of Boston Artists
)
[awards] => Array
(
[0] => Grumbacher Award
[1] => Bernard Corey Memorial Award
[2] => Numerous Best in Show Awards
)
[teachers] => Array
(
[0] => R.H. Gammell
)
[education] => Array
(
[0] => Studio of R. H. Ives Gammell
)
[exhibitions] => Array
(
[0] =>
)
[grants] => Array
(
[0] => E.T. Greenshield Memorial Foundation
[1] => Massachusetts Arts and Humanitites Council
[2] => Lowell Arts Council
[3] => B.G. Research
)
[thumbnail] => artists_pix/davidh_lowrey/david_lowrey_tn.jpg
[bio] =>
[statement] =>
“Look Only to the Past and Lose an Eye. Forget the Past and Lose Both Eyes.”
This Old Russian proverb states a truism critical to cultural development. In my own work this proverb reflects the
philosophical basis of my artistic sensibilities. I have spent most of my professional life trying to understand
the “language” of the Masters of Western European painting. I believe that this language should not be forsaken as new and
different languages develop. My goal is not to reproduce the masterpieces of the past, but to capture the contemporary
using this established language.
[misc] => The Camera Obscura's Place in Art History
The camera obscura's employment by artists of the 17th and 18th centuries is still a matter of speculation.
Art historians still hotly dispute which artists used these optical tools.
These questions remain to be answered: When and by whom were they first used? What types of camera
obscuras where utilized? How where they used by the artists of the past?
By making accurate working models of the 17th and 18th centuries camera obscuras that would have been
available to artists of that era, I can, and have, reconstructed how these cameras were used.
However, an accurate picture of their uses can only be gleaned by imposing strict limitation in the
employment of these optical instruments. For example:
- Camera obscuras can only be used in either daylight or firelight and all the tools employed must be w
ithin the established technology of the century to be examined.
- Fenway Studios gives me the ideal working space for this research. My studio is almost identical
to the working spaces of artist from the past.
Please contact me for additional information concerning this significant, historic visual tool.
[art] => Array
(
[0] => Array
(
[file_name] => david_lowrey
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[1] => Array
(
[file_name] => apples_and_eve
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => a_lions_tale
[title] =>
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => david_lowrey_04
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 14
[folder] => artists_pix/davidh_lowrey
[email_class] => emailDavidHLowrey
)
[15] => Array
(
[first_name] => Teri
[last_name] => Malo
[open_studios] => 1
[email] => 1
[website] => http://terimalo.wordpress.com
[description] => Landscape-inspired painter
[professional_affiliations] => Array
(
)
[gallery_affiliations] => Array
(
[0] => Arden Gallery
[1] => Powers Gallery
)
[awards] => Array
(
[0] => Blanche E. Coleman Award, 1998
)
[teachers] => Array
(
[0] => Michael Jacques
[1] => Fred Becker
[2] => John Townsend
)
[education] => Array
(
[0] => MFA University of Massachusetts
[1] => BA Emmanuel College
)
[exhibitions] => Array
(
[0] => Solo exhibition: Land, Sea, and In-Between, Artana Gallery, Brookline, 2007
[1] => Danforth Museum, 1998
[2] => Museum of Work and Culture, Wonsocket, RI, 2001
[3] => Artana Gallery, Brookline, 2007
)
[thumbnail] => artists_pix/teri_malo/Poem_from_a_March_Walk_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => Poem_from_a_March_Walk
[title] => Poem From a March Walk
[medium] => Oil
[height] => 30
[width] => 30
[home_page] => 1
)
[1] => Array
(
[file_name] => Quoddy_Remembered
[title] => Quoddy Remembered
[medium] => Oil
[height] => 36
[width] => 48
)
[2] => Array
(
[file_name] => Through_a_Silver_Light
[title] => Through a Silver Light
[medium] => Oil
[height] => 42
[width] => 42
)
)
[index] => 15
[folder] => artists_pix/teri_malo
[email_class] => emailTeriMalo
)
[16] => Array
(
[first_name] => Anne
[last_name] => McGhee
[open_studios] => 1
[description] => Realist, still life, architectural, landscape and marine painter; and teacher
[email] => 1
[phone] => 617-547-8117/617-262-3670
[website] =>
[professional_affiliations] => Array
(
[0] => Teacher, Harvard University Graduate School of Design
[1] => Illustrator, William Morrow Publishing
[2] => Designer, Tiffany & Company
)
[gallery_affiliations] => Array
(
[0] => Craven Gallery, Vineyard Haven
)
[awards] => Array
(
[0] => John Koch Scholarship, Art Students League, NY
[1] => Teacher of the Year, 2000, Harvard Graduate School of Design
)
[teachers] => Array
(
[0] => Robert Brackman
[1] => Edwin Dickinson
[2] => Robert Cormier
[3] => Paul Ingbretson
)
[education] => Array
(
[0] => Accademia di Belle Arti, Florence
[1] => Art Students League
[2] => Kansas City Art Institute
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/anne_mcghee/IMG_0017_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => IMG_0017
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => IMG_0024
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => IMG_0029
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 16
[folder] => artists_pix/anne_mcghee
[email_class] => emailAnneMcGhee
)
[17] => Array
(
[first_name] => Julien
[last_name] => Miville
[folder] => artists_pix/julien_miville
[email] => 1
[website] => http://www.mivilleart.com
[description] => Realist, still life and landscape painter
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] => Guild of Boston Artists
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] => Robert Cormier
[1] => David Curtis
)
[education] => Array
(
[0] => Privately taught, atelier
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/julien_miville/Miville_Sweet_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => Miville_Sweet
[title] => Sweet Autumn Clematis
[medium] => Oil on canvas
[height] => 20
[width] => 24
[home_page] => 1
)
[1] => Array
(
[file_name] => Miville_smeadow
[title] => Salt Meadow
[medium] => Oil on canvas
[height] => 11
[width] => 14
)
[2] => Array
(
[file_name] => Miville_skate
[title] => Skating on the Common
[medium] => Oil on canvas
[height] => 26
[width] => 32
)
)
[index] => 17
[email_class] => emailJulienMiville
)
[18] => Array
(
[first_name] => Yoshi
[last_name] => Mizutani
[folder] => artists_pix/yoshi_mizutani
[phone] => 617-678-8766
[email] =>
[website] => http://www.yoshimizutani.com
[description] => Still life, landscape, figure and portrait painter
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/yoshi_mizutani/P1010123_tn.jpg
[bio] => Yoshi Mizutani was born in Japan to an artistic family. He started to paint
watercolors seriously by the age of ten, and by the age 16 he was trained in basic drawing
techniques and introduced to oil painting. Driven by a strong desire for further training
in the Western realistic tradition, Yoshi left Japan when he was 18 to study the Old
Masters paintings in Italy, Spain and France. Subsequently, he relocated to the United
States and spent seven years completing his studies with portrait painter Robert Cormier
at the R.H. Ives Gammell Atelier. Yoshi then moved back to Spain where he executed many
commissioned portraits while continuing his studies of the Old Masters, Velasquez and
Sorolla in the Museums of Madrid. During this time, his works were exhibited in
Barcelona galleries.
In the spring of 2001, Yoshi returned to Boston, where he now resides. His work
utilizes academic drawing with an impressionistic palate.
[art] => Array
(
[0] => Array
(
[file_name] => P1010123
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => P1010193
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => P1010190
[title] =>
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => P1010194
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 18
)
[19] => Array
(
[first_name] => Paul T.
[last_name] => Nagano
[open_studios] => 1
[folder] => artists_pix/pault_nagano
[email] => 1
[website] =>
[phone] => 617-266-3509
[description] => Landscape painter and watercolorist
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] => Pennsylvania Academy, Lewis S. Ware Travelling Scholarship, 1967
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] => Pennsylvania Academy of the Fine Arts
[1] => BA Columbia University
)
[exhibitions] => Array
(
[0] =>
)
[commissions] => Array
(
[0] => Campbell Estate, Kapolei, Hawaii, mural
[1] => St. Theresa’s Church, Reading, MA, acrylic on canvas
[2] => Hawaii Preparatory Academy, Manuela, HI, bronze crucifix
)
[thumbnail] => artists_pix/pault_nagano/Priest_at_the_Volcano_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => Priest_at_the_Volcano
[title] => Priest at the Volcano
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[1] => Array
(
[file_name] => Royal_Palms
[title] => Royal Palms
[medium] =>
[height] =>
[width] =>
)
)
[index] => 19
[email_class] => emailPaulTNagano
)
[20] => Array
(
[first_name] => Jane
[last_name] => O'Hara
[open_studios] => 1
[folder] => artists_pix/jane_ohara
[email] => 1
[phone] => 617-859-4862
[website] => http://janeohara.com
[description] => Contemporary realism painter
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/jane_ohara/bio_bw_tn.jpg
[bio] => Born in Connecticut, Jane now divides her time between Little Compton, RI
and Boston. She received her BFA from Boston University School of Fine Arts
in 1978. In 1986 Jane formed O'Hara Arts, a mural and decorative painting
company.
In recent years Jane's studio work has reflected her passion for animals.
With commissions of animal companions, donation of her artwork to animal groups,
and paintings in shows, she is able to communicate her vision of the animal
condition. Both the insensitivity or conversely, the pampering and
casting of human traits onto animals by so many disturbs and intrigues Jane, and
she comments on those tendencies with humor and irony in her artwork.
[art] => Array
(
[0] => Array
(
[file_name] => bio_bw
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => IMG_0186_cropped
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => nell_and_company
[title] =>
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => semi_precious
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 20
[email_class] => emailJaneO'Hara
)
[21] => Array
(
[first_name] => Gedas
[last_name] => Paskauskas
[open_studios] => 1
[folder] => artists_pix/gedas_paskauskas
[email] => 1
[website] => http://www.gedaspaskauskas.com
[phone] => 617-233-4307
[description] => Abstract painter
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/gedas_paskauskas/KIF_1457_tn.jpg
[bio] => Gedas Paskauskas, a native of Rhode Island, began his art education in 1970 at the
School of the Worcester Art Museum. After graduation, he continued with private study with
Robert Douglas Hunter in Boston. In 1975, Gedas began a career as a commercial photographer
and later as a mural artist. Co-founding Bopas, Inc., in 1981, a mural and decorative painting
company, he branched out to form Gedas Paskauskas Studios, Inc. in 2005.
His personal work reflects his observation of nature, but transposes light and form to
convey a more personal sentiment, reducing visual information to the elements of pure expression.
Gedas divides his work and time between his studios in Boston and Little Compton, RI.
[art] => Array
(
[0] => Array
(
[file_name] => KIF_1457
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 0
)
[1] => Array
(
[file_name] => IMG_1949
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => IMG_1952
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 0
)
[3] => Array
(
[file_name] => IMG_1963
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 0
)
)
[index] => 21
[email_class] => emailGedasPaskauskas
)
[22] => Array
(
[first_name] => Theresa
[last_name] => Pergal
[open_studios] => 1
[folder] => artists_pix/theresa_pergal
[email] => 1
[website] => http://www.theresapergal.com
[phone] => 617-927-7460/978-223-5259
[description] => Realist, still life, landscape and portrait painter
[professional_affiliations] => Array
(
[0] => Academic Artists Association, Rockport Art Association
[1] => North Shore Art Association
)
[gallery_affiliations] => Array
(
[0] => Jensen Fine Art, Brookline
[1] => Osterville Fine Art Gallery
[2] => Churchill Gallery, Newburyport
)
[awards] => Array
(
[0] => Newington Award, Best in Show
[1] => American Artists Profession League, Best in Show
[2] => Featured in American Artist Magazine, A Measured Intuition
)
[teachers] => Array
(
[0] => Robert Cormier
)
[education] => Array
(
[0] => R.H. Ives Gammil Atelier
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/theresa_pergal/Theresa_Pergal_portrait_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => Theresa_Pergal_portrait
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => Golden_Bird
[title] =>
[medium] =>
[height] =>
[width] =>
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)
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(
[file_name] => Puti_Garden
[title] =>
[medium] =>
[height] =>
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)
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[file_name] => Bouquet_Roses_Fruits
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 22
[email_class] => emailTheresaPergal
)
[23] => Array
(
[first_name] => Melody
[last_name] => Phaneuf
[open_studios] => 1
[folder] => artists_pix/melody_phaneuf
[description] => Still life, landscape and portrait painter
[statement] => Melody Phaneuf is well known for her evocative still life allegories and plein air paintings.
Phaneuf's paintings have been exhibited at Galerie Herouet in Paris, The National Arts Club in New York City,
and were included in a traveling exposition in Japan. She is a regular exhibitor at the Guild of Boston
Artists, 162 Newbury Street, Boston, MA and Northshore Arts, in Gloucester, MA.
[email] => 1
[website] =>
[phone] => 617-236-4322/800-771-6464
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(
[0] =>
)
[gallery_affiliations] => Array
(
[0] => Guild of Boston Artists
[1] => Northshore Arts, Gloucester, MA
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] => Robert Cormier
[1] => Robert Douglas Hunter
)
[education] => Array
(
[0] => Vesper George School of Art
[1] => Boston School of Art, Atelier Training
[2] => School of the Museum of Fine Arts, Boston
[3] => Massachusetts College of Art
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/melody_phaneuf/Calling_tn.jpg
[bio] =>
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(
[0] => Array
(
[file_name] => Calling
[title] => Calling
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => Relics_of_the_Sea
[title] => Relics of the Sea
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => Season_of_Light
[title] => Season of Light
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => The_Bridge_Good_Harbor
[title] => The Bridge, Good Harbor
[medium] =>
[height] =>
[width] =>
)
)
[index] => 23
[email_class] => emailMelodyPhaneuf
)
[24] => Array
(
[first_name] => Judy
[last_name] => Ryan
[folder] => artists_pix/judy_ryan
[phone] => 617-859-0282
[email] => 1
[website] =>
[description] => Realist, landscape, still life, figure and portrait
[professional_affiliations] => Array
(
[0] => Teacher, Museum of Fine Arts, Boston
[1] => Leader, painting workshops in Provence, France
[2] => Art conservator, Peter Williams/Museum Services, Boston
)
[gallery_affiliations] => Array
(
[0] => Zullo Gallery, Medfield, MA
)
[awards] => Array
(
[0] => Frances A. Kinnicutt Foreign Travel Award
[1] => Somerville Arts Council Grant
)
[teachers] => Array
(
[0] => David Curtis, Robert Cormier, James Weeks, Morton Saks, Jack Kramer,
David Aronson
)
[education] => Array
(
[0] => MFA in Painting, Boston University
[1] => BFA in Painting, University of Illinois in Champaign-Urbana
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/judy_ryan/judy_ryan_tn.jpg
[bio] =>
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(
[0] => Array
(
[file_name] => judy_ryan
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => crows_meadow_beach
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => essex_green
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[3] => Array
(
[file_name] => stage_port_park
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 24
[email_class] => emailJudyRyan
)
[25] => Array
(
[first_name] => Peter
[last_name] => Scott
[open_studios] => 1
[email] => 1
[website] =>
[phone] => 617-236-8196
[description] => Drypoint, engraving and etching, printmaking and related digital applications
[professional_affiliations] => Array
(
[0] => Faculty, School of the Museum of Fine Arts, print and paper media
[1] => Boston Printmakers, Southern Graphic Council National Conference
)
[gallery_affiliations] => Array
(
[0] => Gallery NAGA
)
[awards] => Array
(
[0] => Massachusetts Artist Fellowship
[1] => Guest artist and lecturer, Durban Institute of Technology, South Africa
)
[teachers] => Array
(
)
[education] => Array
(
[0] => MFA Cranbrook Academy of Art
[1] => BFA Carnegie-Mellon University
[2] => BA Haverford College
)
[exhibitions] => Array
(
)
[thumbnail] => artists_pix/peter_scott/sketchbook_at_maries_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => sketchbook_at_maries
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[1] => Array
(
[file_name] => sketchbook_bible
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => sketchbook_fenway
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 25
[folder] => artists_pix/peter_scott
[email_class] => emailPeterScott
)
[26] => Array
(
[first_name] => Oren
[last_name] => Sherman
[folder] => artists_pix/oren_sherman
[email] => 1
[website] => http://www.orensherman.com/
[phone] => 508-487-2172
[description] =>
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
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(
[0] =>
)
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(
[0] =>
)
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(
[0] =>
)
[commissions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/oren_sherman/dance_lrg_tn.jpg
[bio] => Since graduating from the Rhode Island School of Design, Oren Sherman has designed and published numerous
award-winning prints, among them Tall Ships, Arnold Arboretum, Brooklyn Bridge Centennial, Kentucky Derby,
and the well-known Boston Series. His commissions include eight United States postage stamps—the
“Special Occasions” series—designs for Steuben Glass, posters for Ringling Brothers Barnum &
Bailey Circus, the Olympics, and Disney Corporation. Most recently, Sherman completed a credit card design for Visa,
and he recently finished illustrating The Random House Book of Greek Mythology. He is a member of the faculty
of the Rhode Island School of Design.
[art] => Array
(
[0] => Array
(
[file_name] => dance_lrg
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[1] => Array
(
[file_name] => SELook2
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => ShoreRd2
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 26
[email_class] => emailOrenSherman
)
[27] => Array
(
[first_name] => Ed
[last_name] => Stitt
[description] => Realist, still life, landscape and portrait painter; and teacher
[folder] => artists_pix/ed_stitt
[email] => 1
[website] =>
[phone] => 617-312-2165
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] => Gallery NAGA
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] => Joe O’Sickey
[1] => Paul Ingbretson
[2] => Paul Rahilly
[3] => George Nick
)
[education] => Array
(
[0] => MFA Massachusetts College of Art
[1] => BFA Kent State University, magna cum laude
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/ed_stitt/007_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => 007
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => IMG_9808
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
[2] => Array
(
[file_name] => IMG_9813
[title] =>
[medium] =>
[height] =>
[width] =>
)
)
[index] => 27
[email_class] => emailEdStitt
)
[28] => Array
(
[first_name] => Glenda
[last_name] => Tall
[folder] => artists_pix/glenda_tall
[phone] => 617-262-6295/617-821-0921
[email] => glendatall@aol.com
[website] =>
[description] => Realist painter, figures, flowers, architectural
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] =>
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/glenda_tall/waiting_tn.jpg
[bio] => Glenda Tall studied with Mitchell Siporin and Arthur Polonsky at Brandeis University
where she earned her degree with Distinction in Fine Arts. She became a Copley Master of the
Copley Society of Boston in 1981. She has had solo shows at the American Club, Brussels, Belgium;
La Sala De Arte Rosa Maria, Dominican Republic; Renjeau Gallery; Prestige Gallery; and many group
shows internationally.
Artist statement:
My paintings are realistic interpretations of flowers, pensive figures, and architecture.
The complexity and diversity of flowers fascinate and inspire me to attempt to capture the beauty of
nature. I am also drawn to the textures and layers of color which surface on architecture after years
of exposure. Color thrills me and I hope that my use of it brings pleasure to the viewer.
Oil Painting Classes
Afternoons and evenings, beginning September 14, 2010. Adult, all levels.
Please call 617-262-6295 or email with your questions.
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(
[0] => Array
(
[file_name] => waiting
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => arched_door
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => cuba_series_3
[title] =>
[medium] =>
[height] =>
[width] =>
)
[3] => Array
(
[file_name] => lotus
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
)
[index] => 28
[email_class] => emailGlendaTall
)
[29] => Array
(
[first_name] => Fedrick
[last_name] => Tatsushi
[folder] => artists_pix/fedrick_tatsushi
[email] => 1
[website] =>
[phone] => 617-267-5693
[description] => Still life and landscape painter
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] =>
)
[awards] => Array
(
[0] =>
)
[teachers] => Array
(
[0] => Philip Guston
[1] => David Aronson
[2] => James Weeks
)
[education] => Array
(
[0] => MFA Boston University
[1] => BFA Boston University
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/fedrick_tatsushi/Self_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => Self
[title] =>
[medium] =>
[height] =>
[width] =>
)
[1] => Array
(
[file_name] => P_Still_life
[title] =>
[medium] =>
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => Still_3
[title] =>
[medium] =>
[height] =>
[width] =>
[home_page] => 1
)
)
[index] => 29
[email_class] => emailFedrickTatsushi
)
[30] => Array
(
[first_name] => Dido
[last_name] => Thayer
[open_studios] => 1
[folder] => artists_pix/dido_thayer
[email] => 1
[website] =>
[phone] => 617-388-1103
[description] => Abstract and landscape painter, and printmaker
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] => Soprafina Gallery
)
[awards] => Array
(
[0] => Lawrence Kupferman Memorial Award
)
[teachers] => Array
(
[0] =>
)
[education] => Array
(
[0] => BFA Massachusetts College of Art
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/dido_thayer/0012r_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => 0012r
[title] => Lay of the Land
[medium] => Oil/venetian plaster on panel
[height] =>
[width] =>
[home_page] => 1
)
[1] => Array
(
[file_name] => 0068r
[title] => Quiet Dust
[medium] => Oil/venetian plaster on panel
[height] =>
[width] =>
)
[2] => Array
(
[file_name] => 0014r
[title] => Distant Fire
[medium] => Oil/venetian plaster on panel
[height] =>
[width] =>
)
)
[index] => 30
[email_class] => emailDidoThayer
)
[31] => Array
(
[first_name] => Sam
[last_name] => Vokey
[open_studios] => 1
[folder] => artists_pix/sam_vokey
[email] => 1
[website] =>
[phone] => 617-247-1802/617-285-8313
[description] => Boston School impressionist, realist, still life, landscape and portrait painter
[professional_affiliations] => Array
(
[0] =>
)
[gallery_affiliations] => Array
(
[0] => Guild of Boston Artists
[1] => Copley Society of Boston
[2] => Tree’s Place, Orleans
[3] => Quidley and Company, Nantucket
[4] => Powers Gallery, Acton
[5] => Banks Gallery, Portsmouth, New Hampshire
)
[awards] => Array
(
[0] => Tarbell Award & Gamell Award, Guild of Boston Artists
[1] => Copley Master Award, Copley Master, The Copley Society of Boston
[2] => Cover artist, American Artist Magazine, April 2005 issue
)
[teachers] => Array
(
[0] => Robert Cormier
[1] => Gary Hoffman
[2] => David Lowery
)
[education] => Array
(
[0] => R.H. Ives Gammell School, 4-year scholarship
[1] => BA Bowdoin College
)
[exhibitions] => Array
(
[0] =>
)
[thumbnail] => artists_pix/sam_vokey/ExoticSL_tn.jpg
[bio] =>
[art] => Array
(
[0] => Array
(
[file_name] => ExoticSL
[title] =>